Ancient Egyptian art includes painting, sculpture, architecture, and other forms of art, such as drawings on papyrus, created between 3000 BCE and 100 AD. Most of this art was highly stylized and symbolic. Many of the surviving forms come from tombs and monuments, and thus have a focus on life after death and preservation of knowledge.
Symbolism
Symbolism in ancient Egyptian art conveyed a sense of order and the influence of natural elements. The regalia of the pharaoh symbolized his or her power to rule and maintain the order of the universe. Blue and gold indicated divinity because they were rare and were associated with precious materials, while black expressed the fertility of the Nile River.
Hierarchical Scale
In Egyptian art, the size of a figure indicates its relative importance. This meant gods or the pharaoh were usually bigger than other figures, followed by figures of high officials or the tomb owner; the smallest figures were servants, entertainers, animals, trees and architectural details.
Painting
Before painting a stone surface, it was whitewashed and sometimes covered with mud plaster. Pigments were made of mineral and able to stand up to strong sunlight with minimal fade. The binding medium is unknown; the paint was applied to dried plaster in the “fresco a secco” style. A varnish or resin was then applied as a protective coating, which, along with the dry climate of Egypt, protected the painting very well. The purpose of tomb paintings was to create a pleasant afterlife for the dead person, with themes such as journeying through the afterworld, or deities providing protection. The side view of the person or animal was generally shown, and paintings were often done in red, blue, green, gold, black and yellow.
Sculpture
Ancient Egyptians created both monumental and smaller sculptures, using the technique of sunk relief. In this technique, the image is made by cutting the relief sculpture into a flat surface, set within a sunken area shaped around the image. In strong sunlight, this technique is very visible, emphasizing the outlines and forms by shadow. Figures are shown with the torso facing front, the head in side view, and the legs parted, with males sometimes darker than females. Large statues of deities (other than the pharaoh) were not common, although deities were often shown in paintings and reliefs.
Colossal sculpture on the scale of the Great Sphinx of Giza was not repeated, but smaller sphinxes and animals were found in temple complexes. The most sacred cult image of a temple’s god was supposedly held in the naos in small boats, carved out of precious metal, but none have survived.
Ka statues, which were meant to provide a resting place for the ka part of the soul, were present in tombs as of Dynasty IV (2680-2565 BCE). These were often made of wood, and were called reserve heads, which were plain, hairless and naturalistic. Early tombs had small models of slaves, animals, buildings, and objects to provide life for the deceased in the afterworld. Later, ushabti figures were present as funerary figures to act as servants for the deceased, should he or she be called upon to do manual labor in the afterlife.
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